Archive for the "Typography" Category

where were you when the west was won

I am a sucker for a road trip.

While in Austin, Laura and I found piñatas (they may have found us), and Wilhemina the Pig and Dorothy the Unicorn proved the perfect traveling companions for a drive from Austin to Phoenix, part of Laura’s trip from Washington, D.C. to L.A. that I missed a flight, booked another, and shuffled things around to join.

Our festive friends stood proudly at the base of Sleeping Lion Mountain in Fort Davis, Texas, where we ended up the first night:

Laura explains this trip tangent (note: we ran over a wolf on the road that night, and the stars were so bright without the layers of light pollution that I looked up, mouth open, before heading inside the B & B):

A hearty breakfast with grandmother’s silver:

paper-thin slices of bacon, airy breakfast cinnamon buns,

Buns at Wayside Inn

and somehow Laura procured an unusual pound cake recipe and a red velvet cake receipt with oleo (this always appears in old recipes and should be substited 1:1 with unsalted butter).

The next morning, we converged on the public radio station in Marfa (infamous for mystery lights) and were charmed by volunteer Rosalind, who complimented us on our eyebrow shapes and told us about her classical selections for two hours on the air.

Marfa Public Radio sticker

I’d return to this kooky town for the Farm Stand Marfa Hour, the Donald Judd work,

Farm Stand Marfa sign

and the Prada Marfa installation.

Prada Marfa

Prada Marfa

(As we left, D.C. musician Jesse Elliott‘s voice was in my head as I wondered “if this really was a windmill, or if I was seeing things again.”)

Marfa, Texas

Later that day, we rolled into Truth or Consequences, New Mexico for a local turtle,

local turtle in truth or consequences, new mexico

and a walk around this town of Airstreams,

truth or consequences, new mexico

rusty refrigeration signage,

truth or consequences, new mexico

and partridge benches.

truth or consequences, new mexico

It’s all a bit like a film stage where the set designer made the curious decision to use Helvetica for the antiques store.

antiques helvetica sign

Strange cacti abound,

cacti in truth or consequences, new mexico

cacti in truth or consequences, new mexico

cacti in truth or consequences

but we stayed at the Sierra Grande (behind the truck), with plenty of water for mineral soaks (T or C was originally named ‘Hot Springs’),

truth or consequences, new mexico

and for other plants (including succulents) to thrive:

succulents in truth or consequences

blowing in the wind

flower

Leaving T or C, we passed through El Paso, stopping for the chicken mole special and chile relleno at H & H Car Wash,

Laura's chicken mole at H&H Car Wash

to speed us along Highway 60 to the Very Large Array in New Mexico.

(Beautiful and strange, these move on tracks keeping their ‘Y’ formation.)

very large array

Next, we crossed the Continental Divide,

continental divide

and journeyed into Pie Town

daily pie cafe in pietown

to the Daily Pie Cafe.

pies at the daily pie cafe

Our favorite was the New Mexico Apple pie with green chiles and local Piñons (we brought one with us for Alice, who graciously let us stay with her on Thursday night in Phoenix),

new mexico apple pie (with green chiles and local pinons)

with cherry a close second.

cherry pie at the daily pie cafe

And the last part of our drive took us through reservations and into the surprisingly wooded parts of Arizona,

laura in arizona

where our backseat companions stared with awe at the natural beauty, until they didn’t.

You can only drive through desolate country with good friends, and I was reminded of Laura’s lyrical command of list songs and how much I value her friendship this week.

Laura, maybe next time we’ll learn How To Cook a Wolf…

More: Laura’s blog of her adventures, full Flickr set of my images, and the These United States song that inspired this post’s title, “West Won”.

serious typography

My favorite tweet (read: Twitter update) of recent weeks was Lane Becker’s Thursday: “Can you imagine? A federal government that took typography seriously?”

It so happens that Thursday morning I was walking through a Miami airport terminal after my identification and boarding pass were checked five times, and I paused at prints on the walls from the “Thoughts on Democracy” exhibition that opened this summer at the Wolfsonian Museum: sixty designers responded to Norman Rockwell’s “Four Freedoms” series.

Behold, serious typography in an airport (that, I would point out, is abbreviated MIA):

Read more in a summer exhibition review from UnderConsideration.com’s Speak Up and see more of the posters (curiously not included in the airport selections) in the NYT slideshow.

I found the posters’ emphasis on freedom from fear, especially in an airport setting, interesting and (dare I say it?) subversive–but then, I happen to think typography a nontrivial matter. You?